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09 September 2010 bookmark us - click here | tell a friend 
 
 book review
 articles

>An English Quilter in America
>Barbara Howell - 'Recent Work'
>Blockbase from Electric Quilt Co. is a really useful piece of software.
>BQGS 2003 Conference
>British Quilting Traditions
>Doreen Speckmann
>Festival of Quilts
>Helen Deighan's Dyeing in Plastic Bags
>Helen Deighan's Magic Dyeing Made Easy
>Historic Australian Quilts
>History of Patchwork and Quilting in Britain
>Inspired by Landscape - exhibition review
>Japanese 16thC Patchwork
>Jo Budd
>Kaleidoscope Stars
>Kate Cox
>Lucy Boston
>Magie's Magic
>Pattern and Place
>Reading List
>Real Scrap Quilts
>Take 4 Artists: No. 3 Dinah Prentice
>Take 4 Now
>Take 4 Now - 2
>The British Quilt Study Group
>The Seascale Quilt
>The Trunk in the Attic
>Woven Cargoes
>Xenia cord on Signature Quilts

 book reviews

>200 Quilt Blocks to Mix and Match
>Applique Designs
>Around the Block Again
>Civil War Women
>Color Play
>Memories
>Patchworks of Lucy Boston
>Plain and Fancy
>Quilt Studio
>Quilting Illusions
>Quilting Instant Expert
>Quilting Traditions
>Quilting with Japanese Fabrics
>Shadow Redwork
>Start Quilting
>Stitch'n Flip Quilts
>The Quilter's Block Bible
>The Quilters' Handbook
>The Quilter's Recipe Book

Contributors to QuiltStory
Celia Eddy
Jenni Dobson
Magie Relph
Xenia cord
 
book of the month

Memories

review by Celia Eddy
reviewed 17/03/2001

Lucy Boston produced two books of autobiography, Memory in a House (1973) and Perverse and Foolish (1979) After her death in 1990, the two books were published as this one single volume. In it, Lucy described a typical Victorian childhood in the family home in Southport, the far-reaching effects on the family of the early death of her father and her mother’s subsequent efforts to raise Lucy, her sister and two brothers. Lucy, it is clear, was from the outset a person of high intelligence and of strong and independent spirit, as the events of her life and her subsequent achievements proved. She gained a place at Oxford but in her first year, the beginning of the First World War, abandoned it to become a VAD in France. She writes movingly of her experiences at that time, then of her subsequent marriage and her progress towards her self-realisation as artist, writer and gardener, which to a large extent was achieved through acquiring the Norman manor house which became the centre of her life and the inspiration for her books. This is a book which works on many levels: it’s the personal history of a woman whom we would recognise as a feminist, even though it wouldn’t have occurred to her to describe herself like that, as well as a fascinating account of the Herculean task she undertook in restoring The Manor and its garden.

© Celia Eddy

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